Thursday, October 30, 2008

Awesome Halloween #1 Review (Jeff Zornow)

(Reposted from joblo.com's Arrow in the Head Comic News.)

Review by: by: Mike Catalano

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“It’s time, Michael,” Loomis calmly affirmed in his stern, English drawl. The Shape only offered one final blank stare as his doctor ignited the gas that was filling the room. A great explosion rocked the first floor of Haddonfield General and the nightmare for Laurie Strode was apparently over… or not? Although we all witnessed The Shape collapse amidst a literal suit of flames, we were never given a full confirmation of his demise.

And so ended HALLOWEEN II. Then came the SEASON OF THE WITCH, which taught the HALLOWEEN franchise a very important lesson: never kill off your horror icon. Hence, The Shape returned, ten years later, in the series’ next installment thus paving the way for a somewhat fun, but mostly inferior string of sequels (parts 4, 5, and 6). Although Donald Pleasance did improbably return as Loomis, there was no Jamie Lee Curtis, no original Myers house, and a lame and thorny, I mean, corny supernatural subplot.

In my opinion, the series finally got back on track with installment number 7, which coincidentally celebrated the original’s 20th anniversary: HALLOWEEN H20. Jamie Lee Curtis finally returned and the ill-conceived scenarios developed in parts 4, 5, and 6 were smartly abandoned. The magic of the first two films was reignited (even without Donald Pleasance who sadly passed away before production began). I’m going to stop right there because the abomination that was HALLOWEEN: RESURRECTION (minus the first ten minutes) does not deserve to be depicted.

My question to you is, have you ever wondered what would have went down between 2 and 7 (if the inferior sequels were all disregarded)? I know I have. Fortunately, the very creative minds of Stefan Hutchinson and Devil’s Due Publishing have also, which has led to the birth of the new mini-series comic HALLOWEEN: THE FIRST DEATH OF LAURIE STRODE.

I’m going to go out right away and say that for any true HALLOWEEN fan (myself included) this book is an absolute must! First off, the nostalgia factor: the series picks up precisely where HALLOWEEN II ended. The Shape was just burnt to a crisp and Laurie was taken away in an ambulance to safety. HOWEVER, the remains of Michael were never discovered and Laurie has slipped into a dark, fearful depression. Although this is only the first part of the comic series (a fast 27 pages), I could tell right from the get-go the writing was of the highest caliber and completely nailed the original HALLOWEEN’s essence. The authenticity!

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Everything that occurred was an ideal and well-thought-out continuation of the story (with some witty insight into actions Laurie will take as a grown up). I truly felt like I was transported directly back to 1978. Not to be outdone by the words, the illustrations are nothing short of top notch. From the gorgeously creepy depictions of Michael’s mask to a gory car wreck to a kind wink at SEASON OF THE WITCH, I was caught in a kaleidoscope of warm autumnal colors and authentic facial expressions. Each page was a pleasure to behold.

If there were any problems I had with this part one of the series, it’d be that it ended too fast and just left me hanging. This is such an outstanding read that I seriously could have finished the entire series in an hour. You’d think that with the focus being mostly on Laurie Strode and the whereabouts of The Shape widely unknown, the story would lack proper action and suspense. Allow me to be the first to drive an 8-inch kitchen knife through that thought. I got more enjoyment out of these first 27 pages than I did from the thorny films 4 through 6. All I can say is, “Bring on the next entries in this comic’s series!”

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NOTE: All of Jeff Zornow's original artwork from Halloween will be available for sale at CadenceComicArt.com next week!

Paramount books "Agnes Quill"

Studio acquires rights to graphic novel (reposted from Variety)
By MICHAEL FLEMING

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Paramount has acquired screen rights to "Agnes Quill: An Anthology of Mystery," a graphic novel by Dave Roman.
Thor Freudenthal ("Hotel for Dogs") is attached to direct, and Evan Spiliotopoulos is writing the script.

Pic marks the first acquisition for Adam Goodman since transitioning from DreamWorks, where he shepherded "Hotel for Dogs."

Graphic novel’s title character turns 16 and inherits from her grandfather an estate and an ability to see and communicate with the dead.

Spiliotopoulos comes out of animation and most recently adapted graphic novel "The Last Call" for Universal.

Steven Gilder and Jason Clark will produce. Clark produced "Hotel for Dogs," which Paramount will release in January.

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NOTE: Original artwork from Agnes Quill is still available @ CadenceComicArt.com

Tuesday, October 14, 2008

Photos from recent Gaydos Gallery opening

Michael Gaydos

"Two Steps Forward, One Step Back" Gallery Opening

10/11/08, @ Bau, Beacon, NY

Running 10/11/08 - 11/02/08








Me and the Gaydos

Tuesday, October 7, 2008

DDP To Distribute Hack/Slash #16 & #17 Independently

Official Press Release

Chicago, IL. (October 5, 2008) — In a show of support for its top-selling creator-owned title, Devil’s Due Publishing will distribute the previously solicited Hack/Slash issues 16 and 17 directly, rather than through Diamond Comic Distributors. The decision follows Diamond’s receipt of a Cease and Desist letter regarding the issues from an unknown, recently registered company, Re-Animator, LLC, in connection with Dynamite Entertainment’s Nick Barrucci. Hack/Slash #15 will be available for re-order as well.

A property dispute has arisen between Brian Yuzna (the producer and owner of the Re-Animator film franchise for over twenty years) and a recently registered company, Re-Animator LLC over the rights to the Re-Animator logo in various merchandise categories, which appears in the current Hack/Slash story arc, “Cassie & Vlad Meet the Re-Animator.”

"Devil's Due have done a fantastic job of keeping the spirit of the Re-Animator films alive in the Hack/Slash cross-over,” says Yuzna “It has been a pleasure to collaborate with such a talented crew. And I am proud to be working with them after the admirable stand they have taken in the face of economic coercion. This company exemplifies the independent spirit of the genre film and comics community. It may seem crazy to Re-Animator fans to think that a company that had nothing to do with the classic films could actually claim ownership of the "Re-Animator" brand and threaten to stop anyone else from creating comics, films or merchandise with the word 'reanimator' or 're-animator' in it- even the actual producer of the films that created the brand—but in this wacky world that is exactly what has happened.”

The decision to distribute the issues outside of Diamond was not easily made. “We deliberated internally long and hard,” says DDP President Josh Blaylock, “But this was in good conscience not something I felt we could roll over and just accept. I’ve reviewed the facts, spoken to copyright, corporate and entertainment attorneys, and resolved that this, in my own personal opinion, is a ridiculous bully tactic that only hurts Tim [Seeley] and all of the creators who work so hard to make Hack/Slash the great book that it is and abuses the Diamond policy of staying out of legal issues.”


“Unfortunately, a dispute over the publishing rights in regards to the Re-Animator characters has arisen between DDP and Re-Animator LLC, and we have been advised by Diamond’s attorney’s to not distribute issues #16 and #17 of the series Hack/Slash, plus process any additional reorders for #15 as well. It is our understanding that DDP will be self distributing the issues previously mentioned, and beginning with Hack/Slack #18, will once again be distributed by Diamond,” said Bill Schanes, Vice President of Purchasing for Diamond.

The situation comes during a banner year for Hack/Slash, which has included a sell-out of the series’ first Omnibus collection, the addition of screenwriter Justin Marks to the Hack/Slash film in development at Rogue pictures with director Todd Lincoln, and a nomination in the category of “Best Comic Book” for the 2008 Spike TV Scream Awards. Fans can still vote for Hack/Slash on Spike TV’s website:

http://www.spike.com/event/scream/page/vote/category/28725



“It's been a really great year for Hack/Slash with the SG Annual, the sold out Omnibus, a Spike TV Scream Awards nomination, and gaining lots of new readers and such,” said writer and creator Tim Seeley. “I just want to do the right thing and with your support and understanding, we'll do everything in our power to get this book out there and things will be back to normal in no time. Thank you, readers and retailers!”

To order Hack/Slash, retailers should visit DevilsDue.net where two levels of discounts are available ranging from 50-60% off the cover price. These offers will only apply to Hack/Slash #’s 15-17 for a limited time. Hack/Slash orders can be placed through the DDP Store by going to:

http://tinyurl.com/hackslash

About Devil's Due Publishing:

Proliferators of comic culture, DDP is one of the largest and most established comic book publishers in North America, carrying a diverse line-up of original, creator-owned and licensed properties. With offices in Los Angeles and Chicago, DDP has many projects in development for film and television with major studios and production arms including 20th Century Fox, ABC Family, Rogue Pictures, DiVide Pictures and Kevin Spacey’s Triggerstreet Productions. DDP's titles include Drafted, Lost Squad, Sheena, Dungeons & Dragons, DemonWars, Voltron, Rest, Serpo and the cult-favorite Hack/Slash. The company recently launched a line of cutting edge designer toys and lifestyle accessories under the imprint DDPOP.